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His films encompass a variety of styles, elements and themes, from the nihilistic existentialism of The Last House on the Left to the successful A Nightmare on Elm Street which sent horror in a bold new direction , to the hallucinatory dreamscapes of The Serpent and the Rainbow. And in the nineties, Craven returned with the Scream films, which were simultaneously funny, clever and scary films that overturned the horror cliches of the eighties.

The present work provides a history of Craven's film career since , examining all the themes and techniques the filmmaker explored. For each film, a synopsis, cast and credits, historical context, and critical commentary are provided.

Also covered in detail are Craven's forays into television, including movies such as Stranger in the House and work on such series as The New Twilight Zone. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic.

Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre?

How could American audiences, after tasting real horror, want to consume images of violence on screen? The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves.

The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language. But they also breathe a sigh of relief when the action is over, when they are able to close their books or leave the movie theater.

Whether serious, kitschy, frightening, or ridiculous, horror not only arouses the senses but also raises profound questions about fear, safety, justice, and suffering. Thomas Fahy and twelve other scholars reveal the underlying themes of the genre in The Philosophy of Horror. The Philosophy of Horror celebrates the strange, compelling, and disturbing elements of horror, drawing on interpretive approaches such as feminist, postcolonial, Marxist, and psychoanalytic criticism.

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Download Full Movie Day on Fire. He then commits suicide after telling them the only way down the hill is through the mining caves.

Chameleon attempts to rape her, but Missy fights him off, only to be captured by Hades, who scares Chameleon away and savagely rapes Missy himself.

The remaining troops attempt to rescue Missy, with the exception of Stump Ben Crowley , who is killed by Letch while attempting to climb down the hill without ropes. Grabber is killed by Crank after shooting Delmar.

Along the way Crank is killed by a trapped crate of dynamite that he attempts to take with him, incidentally triggering an explosion. After killing Letch, Napoleon and Amber find the captive Missy, and all three fight Hades, whom they manage to kill as well. The three leave the mines, but a text blended into the screen states that the National Guard trainees remain missing and Sector 16 is still not acknowledged to exist.

As the survivors prepare to depart, they are watched by an unknown mutant using their surveillance equipment. The Hills Have Eyes 2 began filming in the summer of in Ouarzazate, Morocco, where the previous movie was filmed.

Writer Wes Craven's initial inspiration for the film came during a casual conversation with producer Peter Locke. Craven envisioned that the previous film's character, Brenda Emilie de Ravin , traumatized by her suffering during the events of The Hills Have Eyes , joins the National Guard to overcome her fears. Barely finished with basic training, Brenda receives a call from her sergeant, who explains that they are sending a team back to the New Mexico desert to eradicate the remaining mutants.

Her sergeant and the team need her, for she is the only one left alive who knows the mutants' location. Because of de Ravin's involvement in the television show Lost , her schedule was unable to accommodate the filming of the sequel.

Wes Craven replaced her character, but retained much of the original concept, including the group of National Guard soldiers in training. A one-minute teaser trailer was released on December 12, The teaser featured 'Insect Eyes', a song by indie folk recording artist Devendra Banhart. In addition to that, a series of clips with an introduction by Wes Craven and a small gallery can be found on the Fox Atomic website.

Also on Fox Atomic is a soundless clip of the mutant Grabber attacking Amber. Craven originally looked at Michael J. Bassett, the director of Deathwatch , to take over the directing role, but ultimately chose Martin Weisz after scheduling conflicts with Bassett.

The remake The Hills Have Eyes was basically the same movie with glossier production values and a less satirical, more bludgeoning approach to violence. This follow-up — in which National Guard trainees are trapped on a former atomic test site and are stalked by flesh-eating freaks headquartered in a warrenlike mountain hideout — is essentially a catalog of transgressive images, lighted and edited like a heavy-metal video.

Scott Tobias of The A. Club wrote in his review: 'The premise for The Hills Have Eyes 2 , the quickie follow-up to Alexandre Aja's skillful but gratuitous remake of Craven's original, seems like a perfect opportunity to give the mutants their due, since it deploys a group of military people back to the scene of the crime.

And yet it stupidly does the opposite, reducing the mutants to mine-dwelling freaks who murder and rape because, well, that's what they do. After a prologue so repugnant that it's unworthy of description, the film touches down in New Mexico's 'Sector 15', where a handful of military technicians are busy installing a top-secret surveillance system. When a group of National Guard trainees are dispatched to the site to deliver equipment, they're shocked to discover the men either missing or dead, and they start combing the surrounding hills on a search-and-rescue mission.

What they don't realize is that the mutants are luring them into various traps designed to kill the men and abduct the women for ugh breeding purposes. So it's up to these unseasoned and often downright inept soldiers to fight their way out of trouble. Directed by music-video veteran Martin Weisz—in the future, can producers please look elsewhere for talent?

The Hills Have Eyes 2 was released in theatres on March 23, The film follows the Carters, a suburban family targeted by a family of cannibal savages after becoming stranded in the Nevada desert. Following Craven's directorial debut, The Last House on the Left , producer Peter Locke was interested in financing a similar project.

Craven based the film's script on the legend of Scottish cannibal Sawney Bean, which Craven viewed as illustrating how supposedly civilized people could become savage. The film's crew were initially unenthusiastic about the project, but they became more passionate due to Craven's enthusiasm and came to believe that they were making 'something special'. All subsequent films in the series were made with Craven's involvement.

Reviews for the film were mostly positive, with critics praising its tense narrative and humor. Some critics have interpreted the film as containing commentary on morality and American politics, and the film has since become a cult classic. The suburban Carter family is traveling on vacation towing a trailer enroute to Los Angeles.

In Nevada, they stop at Fred's Oasis for fuel, and Fred urges them to stay on the main road as they leave. Fred's truck suddenly explodes. Dismissing Fred's warnings as a crazy person's ramblings, the Carters get startled by overhead aircraft when driving near Nellis Air Force Range, and skid off the road and crash. The dogs become very panicky and start barking at the hills. Beauty then runs off into the hills. Chasing after her, Bobby finds her mutilated body.

Frightened, he runs, falls, and knocks himself unconscious. Bob walks back to Fred's Oasis to get help. As night falls, he finds Fred, who tells him about his son Jupiter. As a child, Jupiter killed the family's livestock and later murdered his sister.



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